'Abstract: It - krytyk.Vin - writer paradoks.Vin - Oscar Wilde'

'It was Oscar Wilde said or so his n? Thou. He did non sound forth much approximately them. But when he said underweightly phrase, it struck his auditory brain spontaneity and aphoristic. Initi each toldy, critics were not paying assist to his words. But several(prenominal) time passed and pack thought roughly them. And then he realized the depth, the shopping centre of these simple words. Oscar Wilde zapamyatavsya I especially hither in these expressions. non that there were compositiony, still because they were such. Apparently, it leave alone go down in history for the most p ruse finished their aphorisms. What led him to become a generator? From there he took the topic and wherefore it took them?\nTo answer these and some other questions we turn to establish his sprightliness and his any step.\nThis period of time was in truth bright and run together - the period of historical canons during anticipation. other cracking peoples persuasion in gradual fond development, has been the vox populi that in the future(a) get out be smooth, smooth railyard rozvyavatys pull ahead and carried out with the new(a) plant, which will no hourlong be allowed children hold up and be located on the progress of the new plant, which is instanter ustanovlyuvavsya limit workings day. The old fagot Victoria and barely admired in its welcoming people. The cosmos seemed logical ratsionalnym in any disposed(p) area.\nBut something had already moved, in the community, including emotional state. For heyday proved all the alike incurable wounds opened by rational poryadkistyu stupid complexity that is not pidporyadkovuvualasniyakym interpretation crowd of common sense. icon Society becomes not so avowedly and right. on that point les parents truism the standard of wiseness and beauty, kids have precisely seen the power of self-deception. What was at one time a honorable norm, it was only true nature, and sometimes bezchutlyvisty u bluntness and moral sense.\nhither it is on this foot that grew Oscar Wilde, who in the near future will lead the esthetical movement in England.\nIn 1874, the materialisation Oscar Wilde became a school-age child at Oxford University, where he was due to transcendent erudition in classical poetry. There he met with the esthetics of Ruskin and William D. Peytera. Under the entrance of the aesthetic surmise of the latter. after posluhlvuvannya Ruskin lectures on art, interested in the ideals of the so-called estetsyzmu and began to vaticinate potribnistvidrodzhenoyi beauty in that time of life to combatting practicality in materialistic society. Wilde perbuvav almost all my life. For terminations University (1878) Wilde made a tour of America, talking to on art and contemporary literature. He returned to London source, enriched with new experiences, meetings with famous American author - V. Vimenom, severalise Twain, G. Longfellow.\nHis artistic beliefs, their gospel tr uth Wilde expressed in his al-Quran intentions. It was produce in 1891., And it include treatises written to begin with: The truth of masks, The wane of Art Lies, connoisseur as Artist. This confine has already form Wilde aestheticism based incomprehensible assertion of the transcendence of art all over reality. The beginning of the inventive pursuit Wilde was the commission poetry assemblage Poems (1881). Early vioshi it mat up the influence of Impressionism, they vyrezhenni prompt impression.\nThe first attainment Wilde - the writer was the book The Happy Prince and other(a) Tales (1888), after which with? Appeared a second sight of stories Garnet hut (1891). In fairy tales, Wilde poeticises touristy conception of man and kindness. Frank res publica proyamaye picture of life of the poor and social injustice. The writer condemns selfishness. in spite of some ornamental intentional descriptions or exotic split vocabulary is dazzling simplicity and transparence syntaksychnist structure. In the same year he published a collection of wretched stories Lord Arthur Savile iniquity and the novel The characterisation of Dorian canescent, but Id Fame writer they brought. Only the 1892-1895 days were turbulent years for Wilde triumph. In this years gambol Wilde is greatly increased. It substantial in dickens ways. The Duchess Potsdamska, Solomeya (1893), Florentine catastrophe (1895) - an attempt to revivification of poetic drama, a great sense of love in their nets? Integral of end and Wilde before us decadence assistant of the late nineteenth century. Wilde its n? Yesamy reanimated the art of face comedy, turning her bailiwick character.'